Istituto Marangoni Mumbai’s 2025 powerful showcase that highlighted both international collaborations and the innovative spirit of its local student body during Design Mumbai 2025 held between 26th — 29th November at Jio World Garden, Mumbai.
The centrepiece of Istituto Marangoni’s presence at Design Mumbai this year was a dedicated B2B exhibit, designed to showcase the institute’s unique approach to industry integration and global briefs.
The exhibit featured:
- A landmark design object from the Italian design house Cappellini, emphasising its ongoing academic relationship with global luxury brands. The presence of a core piece from Cappellini serves as a tangible link to the ‘Dynamic and Sensitive Living Spaces’ brief that guides Istituto Marangoni Milan’s Master’s programme, exemplified by the advanced architectural concept, Pallomenos, a project that envisions responsive, tech-integrated environments rooted in nature.
- The debut of the ‘Crescent Chair’ by Mumbai student Bhakti Lonkar. This sculptural accent chair, rooted in bio-morphism and inspired by the gentle curve of the crescent moon,was developed in collaboration with Solli Concepts. The exhibit positions the chair as a testament to how Marangoni Mumbai translates global design briefs into commercially viable, culturally resonant furniture pieces.
Beyond the central B2B collaboration, the Istituto Marangoni booth at Design Mumbai 2025 presented a rich and diverse portfolio of student-led projects, showcasing the breadth of creativity fostered across the Product and Interior Design programs. Each piece reflected a mastery of modern aesthetics, technical skill, and strong conceptual narratives.
Standout Student Works for 2025 Included:
- Gurnoor Kaur’s ‘SKY’ Spa Project: A visionary spa concept set in the Azores, offering an immersive ‘utopian sci-fi sanctuary’ that blends volcanic beauty with advanced bio-harmonization techniques.
- Karemma Khan’s ‘Skingenesis’ Spa Project: Set in Seoul, this project addresses emotional vulnerability surrounding skin disorders by using custom terrazzo materials (like ‘Vitroglow’ and ‘Rosaskin’) inspired by real-world skin imperfections, celebrating resilience and inclusivity.
- Sehar Mann’s ‘EKTA Console’: A stunning furniture piece crafted in Teak Wood, built on the concept of ‘Harmony and Unity,’ which seeks to help users disconnect from technology and reconnect with nature and grounded living.
- Viya Shah’s ‘The Morning After’ Spa Project: A post-party recovery sanctuary in Ibiza, featuring natural, earthy materials like Himalayan Pink Salt and Travertino, designed to restore senses with quiet, sun-kissed luxury.
- Bhakti Lonkar’s ‘Crescent Chair’: A poetic, biomorphic accent chair crafted from birch plywood, balancing sculptural elegance with functional comfort, representing the intersection of lunar calm and earthly form.
Speaking about Istituto Marangoni’s presence at Design Mumbai 2025, with student and faculty projects, Mr. Tarun Pandey, COO of Istituto Marangoni Mumbai, shared, “our return to Design Mumbai this year is defined by collaboration—both with iconic international brands like Cappellini, and with pioneering concepts from partners like Solli Concepts. It’s inspiring to see our current students not only engage with sophisticated global briefs but also deliver design solutions, like Bhakti Lonkar’s Crescent Chair, that are ready for the commercial market. Their technical excellence and innovative spirit confirm Marangoni Mumbai’s role in shaping the next generation of impactful design leaders in India and globally.”
